Friday, June 14, 2013

AP Art History Summer Assignment

AP Art History Summer Assignment

The AP Art History course will be one of the most enriching and enlightening courses you've taken, provided you take advantage of the resources and assignments which are designed to direct you toward a deeper and greater appreciation of the role of art in our history. As one of the major indicators of how past civilizations and cultures once thought, and what they believed, understanding art in its context opens our eyes to a wide and varied world. Understanding the history of art also provides us with the tools to help us analyze and evaluate our own culture's voice in contemporary art - whether its through looking at the painted portraits by Chuck Close, or viewing the videos of Matthew Barney.

To prepare you for the upcoming school year, I've assigned you the following reading and provided you with a small slide show of images that you should be familiar with when we begin. You should be able to identify the images and the information that accompanies them.
Our textbook, Art History, by Mary Stokstad, is an excellent source for a course that covers the entire history of art in a survey. Over the summer you should become familiar with the book and understand its layout and organization. You are expected to read the following:

Starter Kit and Introduction: pp. xxvi - xlvii, Be familiar with the concepts and ideas covered in this introduction as they will reemerge consistently throughout all time periods we cover.

Chapter Two - Art of the Ancient Near East: pp. 25 - 46, After reading this chapter, answer the following questions and bring them with you on the first day of class. This will be the point at which we begin.

1. In the ancient Near east, why was there a need to control the water supply of the Tigris and Euphrates rivers?
2. What major cultural shift took place between 4000 BCE and 3000 BCE?
3. How was the ancient Near Eastern city-state created?
4. Why was Mesopotamia vulnerable to political upheaval?
5. How did agriculture change the face of culture in the Fertile Crescent?
6. What types of arts flourished in early cities?
7. How was the Ziggurat constructed and what purpose did it serve?
8. What types of stories do the registers found near the temple complex of Inanna at Uruk tell?
9. What is the traditional convention of the Sumerian votive figure?
10. How is trade exemplified in The Great Lyre with Bull’s Head?
11. What story does the Stele of naram-Sin tell?
12. How is Gudea generally portrayed and why is his face so familiar?
13. How did Assurnasirpal II improve his empire?
14. What makes the palace complex of Sargon so extensive?
15. How does the imperial complex at Persepolis use the rectangular grid system?
16. What types of Persian art shows their high level of technical and artistic sophistication?





On a final note, you'll notice that this blog contains a number of slide shows pertaining to a long list of styles and time periods we will be studying and working with throughout the year. Feel free to browse through the images and enjoy them.

Monday, May 06, 2013

Good Luck APAH Students!!

You have all worked exceptionally hard throughout the year and now it all comes down to one little test which you will do fantastic on. Even so, I wish you luck and and a grand old time!


Thursday, May 02, 2013

Last Pre-APAH Test Post

You have all put in an extraordinary amount of work into this course for the past eight months, and that effort will certainly pay off with success on Tuesday when you take the AP Art History exam. Over this last weekend, review your notes, peruse the books, , scan the blog, revisit your projects and take a look at the following web sites which might be helpful in the last few hours remaining. While I wish you the best of luck, there is no substitute for the commitment you've shown and that, rather than good fortune, will serve you best.


 https://docs.google.com/folder/d/0ByrPKAfvK3DDM2YxNjhkNmYtOTVlNi00MzM5LTg4NDgtODE1MzRiYzM2ZmZk/edit http://www.tumblr.com/tagged/ap%20art%20history

http://classjump.com/k/kommersclass/?section=classes&class_id=150990

http://www.proprofs.com/quiz-school/story.php?title=ap-art-history-exam-review

http://www.animoart.org/apart/#2

Sunday, April 28, 2013

Twentieth Century 30 Minute Essay

This last essay assignment before your AP exam will focus on art of the last 50 years. Your response is due no later than Thursday, May 2nd. Art since the 1960's encompasses a wide variety of approaches. Address this variety of approaches through the careful choice and detailed discussion of two works of art made between 1960 and the present. The two works must be by different artists OR in different media. Be sure to fully identify each work. (30 minutes)

Sunday, April 21, 2013

New Global Art plus...



This week's homework will once again bring us back to the Global Art project Art Through Time. I've assigned the episode on Writing which has a lot of pertinence to the 20th century and contemporary art as well as rich traditions in the earliest civilizations. Take a good look at the questions below and provide your responses to me by Monday, April 29th.

You should also note that I've included a link in the previous post to some great information on Guernica and other 20th century artworks, and I've also posted three slide presentations dealing with non-Western art. Please take a bit of time to peruse these presentations. They won't require dedicated study, but it's certainly worth being aware of some of the major works and concepts in these cultures. I'll be posting other non-western presentations as the we near the end of the AP portion of the course.

Here are your questions for the video which you can find here: http://www.learner.org/courses/globalart/theme/8/index.html

1. Many faiths convey ideas through sacred texts such as the Torah, the Qur’an, or the Bible. How does the experience of reading a sacred text differ from viewing a site of worship or hearing a sermon?

2. Using examples from the program, discuss the impact of incorporating text with visual imagery.

3. In ancient cultures, writing was considered a gift of the gods. Since few people could read or write, having the ability to write was associated with exclusivity and power. What do works featured in the program convey to those who can’t read or understand what is written?

4. How does Xu Bing’s approach to calligraphy make the old new?

5. What makes a logo effective?

Guernica plus...

The address below brings you to SmartHistory's 8 minute discussion on Picasso's Guernica. The site's other discussion that engage 20th century styles and artists are also extremely valuable in adding to your understanding of this period's art and are all highly recommended. http://smarthistory.khanacademy.org/picasso-guernica.html I've also included 2 wonderful links to the Armory Show of 1913 that provides great insight into the works and artists in this seminal show bringing the European avante-gard to the US, and an article about Gallery 291 run by Alfred Steiglitz. http://www.art21.org/texts/the-culture-wars-redux/essay-the-1913-armory-show-americas-first-art-war http://xroads.virginia.edu/~museum/armory/entrance.html http://www.nga.gov/exhibitions/modart_2.shtm http://www.nga.gov/exhibitions/modart_2.shtm

Japanese Art After 1392

Japanese Art Before 1392

Art of Ancient Africa

Tuesday, April 09, 2013

Chapter 32 Homework

Answers to the following questions on your reading of Chapter 32 are due on Monday, April 22nd.

1. How are Abstract Expressionists and Color Field Painting related?
2. How are Assemblages and Happenings related?
3. What are the origins of Pop Art and what were its major concerns?
4. Why did the Minimal artists eliminate personal feeling and social references from their art?
5. How did the Conceptual artists eliminate the art object?
6. How did Feminists impact the artworld?
7. What is Postmodern art?
8. What are some of the issues New Media artists address in their work?
9. What is the Critique of Originality?
10. What are the main trends of Postwar photography?

The Early 20th Century

19th to 20th Century Sculpture

Sculpture
View more presentations from bassmanb.

Monday, April 01, 2013

Art Through Time: Conflict and Resistance


 You will notice that I've posted more study slides on the bnlog which include Impressionist Works and architectural pieces from the 19th to 20th centuries. Be sure to look into these works using your text and other resources to be familiar with them in their respective contexts.

I'm also assigning another in the fabulous series of Art Through Time videos. This episode deals with how artists (and viewers) deal with issues of violence and conflict in art. The episode begins with Manet and Goya - a perfect spot as that happens to be right where we are in are class discussions. It will also cover some non-western approaches including early 20th century Chinese and also Islamic work as well as the Taliban's iconoclastic destruction of the Buddhas of Bamiyan. The video also touches on such contemporary artists as Kara Walker and Shirin Neshat.
 Responses to the following questions will be due in class by Thursday April 11th. 

1. What makes art an effective form of social or political protest?
2. What are the similarities and differences between a glorified battle scene and one that shows the horrors of war?
3. Invading armies have destroyed the art of the people they vanquished, or new regimes have destroyed art associated with their predecessors. What makes art images so powerful? Who ascribes the power to them?
4. How do such images of conflict and resistance speak to a universal audience?
5. At different points in history,and in different cultures or societies,governments have banned certain works of art because they were deemed unpatriotic or subversive. What role, if any, should the government play in defining what art is, how art can be made, who can make it, or the places and manner in which it is displayed?

19th to Early 20th Century Architecture

Impressionsim

Sunday, March 24, 2013

David Video



  http://www.youtube.com/watch?v=DJVCtPrJ7NQ

 Above you'll find a link to Simon Schama's video on David and "The Death of Marat" (just click on the image of the painting. If it doesn't work, simply copy and paste the youtube address listed). This is one of the strongest and most helpful videos in Schama's series and will be of great benefit in helping you to understand this extraordinarily influential artist and the effects of art within the French Revolution. Also note the questions posted in the previous post. This chapter will bring you into the early part of the 20th century and will provide a great background to our visit to the Yale art gallery next Wed.

Chapter 31 Homework

Answers to the following questions are due no later than Wed. April 3rd.

1. What did the Fauvists and Expressionists do to repudiate traditional notions of pictorial representation?
2. How did the Cubists create influential new methods of composition in painting and sculpture and what implications did it hold for subsequent artists?
3. Why did Dada ask radical questions about the nature of art itself? How did its artworks reflect those questions?
4. What is an example of Modern artists looking to non-western art during this period? How is this shown in in a specific example of art?
5. What kind of form did Modern architecture take during this period and which architects help innovate in this direction?
6. What did Bauhaus artists do with modern mass production and what implications did this approach have in the wider art world?
7. How did the de Stijl artists make art that attempted to purify the human mind with pure colors and simple forms?
8. What techniques did the Harlem Renaissance combine to raise awareness of African American culture?
9. How did the Surrealists liberate the unconscious mind and why did they do this in their art?
10. How did Federal patronage for American art function during the Depression?
11. Why did the Nazis suppress avant-garde art and how did they exhibit it?
12. What is the International Style and who were some of its leading architects?

Friday, March 22, 2013

Weekend News on March 22nd

I just received an email from our AP Coordinator Mrs. Ferguson stating that registration for AP tests has been extended to March 26th at 11:59PM. Your registration is done online now through the MYPayments plus system found on the Amity web site. If you haven't yet registered for the AP Art History test I would strongly encourage you to take advantage of the opportunity to earn up to 6 credits toward college. I'm also looking forward to reading your tests this weekend, and in case you lose your essay response packet, I've posted the 30 minute response prompt below. You have 30 minutes to answer the following question. Responses that answer the question directly will receive higher scores than those that simply list characteristics or include irrelevant points. Read the question and take a moment to think about what the question asks. Spend a few minutes organizing or outlining your response in the blank space provided below the question. Be sure to analyze the question carefully and choose appropriate examples. Identify your examples as fully as possible. Throughout history, technological developments have enabled artists and architects to express ideas in new ways. Choose and fully identify two works of art or architecture and the specific technological development that made each work possible. One of your choices must date before 1800 CE and one must date after 1800 CE. For each work, analyze how the technological development enabled the artist or architect to express ideas in new ways. (30 minutes)